Music production
Your song, from idea to delivery.
We plan, record and produce your project, drawing on Julián Gil's experience as a producer and sound engineer.
Approach
Technique and artistic judgment at the same desk.
A production doesn't come together on good gear alone, or on talent alone. Every decision about arrangement, takes and sound answers to what the song needs and who will hear it.
That is why we start by understanding the artist and where the project is headed before opening a session. If you are also building your career, production can connect with the eight-phase method and with our label work.
What it covers
The stages of a production.
Your project can include all of them or only the ones it needs. Each proposal puts that in writing.
Recording planning
Repertoire, priorities, order of work and what needs to be ready before recording.
Pre-production
Structure, key, arrangements and references, so you arrive at the session with decisions made.
Recording
Capturing vocals and instruments according to the project's format.
Music production
Directing the song: arrangements, sound and identity from start to finish.
Sound engineering
Technical judgment throughout the process, so every take serves the final version.
Process
How we run a project.
Six steps, with the scope clear before we begin.
Consultation
You tell us what you want to make and where it stands, and share demos or references.
Scope
We define the work: songs, stages, sessions, delivery formats and number of revisions.
Proposal
You get the scope, fees and terms in writing, including the rights to what is produced.
Production
We work through the agreed stages and share progress at the points we defined.
Review
You listen, comment and we adjust within the planned revisions.
Delivery
You receive the files in the agreed formats, ready for their next step.
Credits by role
Julián Gil's experience, with the exact role.
A selection of credits in his name. These are technical or production credits on those releases.
| Role | Artist | Work | Year |
|---|---|---|---|
| Mixing and mastering | Grupo Niche | Alive | 2005 |
| Mixing and mastering | ChocQuibTown and Gilberto Santa Rosa | Desde el Día en Que te Fuiste (Version Salsa) | 2015 |
| Mixing and mastering | Papo Sánchez | Master Class | 2014 |
| Mixing and mastering | Curao En Salsa | Salsa para el Bailador, Vol. 1 | 2018 |
| Mixing and mastering | Elvis Magno | Es Mi Hora | 2023 |
| Mixing, engineering and mastering | Osvaldo Román | Dámelo | 2023 |
| Mixing, mastering and percussion | Cheo Andujar | Poder Íntimo | 2014 |
| Executive production, production, mixing, mastering and percussion | La Cali Charanga | 30 Años | 2015 |
| Executive production, production, mixing, mastering and percussion | Luis Felipe Gonzalez | El Sol de la Mañana | 2016 |
| Arrangement, production, engineering, mixing, mastering and percussion | Junior Canales y Su Orquesta | Junior Canales y Su Orquesta | 2016 |
| Arrangement, production, engineering, mixing, mastering, keyboards and percussion | Lenny Fierro | Dime Niña | 2023 |
| Executive production, production, mixing, mastering and percussion | Nati Ortiz (house artist) | Latin Violin 1 | 2024 |
The credits are listed on Muso.ai: Julián Gil profile and JGRMUSIC profile. Roles may vary by track within each work. This list doesn't indicate a current relationship with the artists named.
Mixing and mastering
Experience with credits, not a rate card.
Many of Julián's credits are for mixing and mastering. That experience is listed in the credits of published releases.
We don't publish a per-song rate. If your project only needs this stage, tell us and we'll review whether we can take it on and under what terms.
Questions
Before you start.
How much does it cost to produce a song?
How many revisions are included?
Who owns the rights to what is produced?
Can you guarantee streams or a deal?
Do you work with outside artists?
Your project
Tell us what you want to produce.
With these details we'll review your project and contact you to talk about scope.